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Nick Collingwood Vintage

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Paloma // Polaroids + Large Format + 35mm

December 29, 2021

I have kinda been failing at this blog for the last couple of years (wonder if there’s…. something happening in the world that’s stifling creativity lately? Hmm…) so I figured might as well sneak in one last post into 2021. A brief shoot with Paloma on everything from tiny 35mm up to 4x5 and a couple of my earliest 8x10 portraits.

Definitely one of my favorites was almost one of the first photos of the day. Trying to get into the flow and just being goofy with posing hands and we landed on this funky pretzel arm pose and combined with the expired Polaroid 669 film, it really hits hard.

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Then came the big boys. Recently borrowed a gorgeous 8x10 Chamonix large format camera from a friend and have been trying to put it to work while I have it. So a couple shots with Paloma seemed appropriate. Once I landed on a pose with 35mm, I grabbed the 8x10 and pulled off the shot below. Nothing like seeing a sheet of film bigger than your face in the darkroom.

And popped of another Polaroid of the red dress with some very bizarre Polaroid Type 79 film that came out beautifully. The colors do not disappoint. Experimented with the generally unusable negative as well. Had to cover myself with a BW shot which is at the top of the post which I really love as well.

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Grabbed one last shot in the red dress with my new Lomography LomoGraflok back for large format cameras. Nice to shoot a cheaper instant film like Instax in a good camera.

Then switched up the outfit a bit and added some lace to the mix.

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And again, loving the back shot, played with a variation of that for the second 8x10 shot and after messing around with the hair and buttons a bit, landed on something I loved.

Figured we could move from the studio setup and shoot around my living room with my 1940s large format camera and more Polaroids/35mm.

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A few last Polaroids and look changes before the end of the shoot.

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Yet one of my other favorites from the shoot was the last. A messy hair shot that came out like someone living in a foggy dream. One on expired Type 59 film (my favorite) and a test on the Lomo back.

View fullsize Paloma Test - 40.jpg
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A good shoot to cap off my 2021 year. Always shooting. Always improving. Always experimenting.

And shout out to Paloma of Crawford Models who killed it on this shoot and not only put up with the weird cameras but was itching to get her 35mm camera back in action in 2022.


Cameras used:

Chamonix 8x10 with 240mm f5.6 // Arista 400 BW 8x10 film
Speed Graphic with Zeiss Tessar 165mm f3.5 and Fujinon 210mm f5.6 // Arista 400 BW 4x5 film / LomoGraflok with Instax Wide / Expired Polaroid Type 59/79
Graflex Super D with Zeiss Tessar 150mm f3.5 // Arista 400 BW 4x5 film / Expired Polaroid 669
Polaroid 195 // Polaroid 669
Nikon S2 // Arista 400 BW 35mm film
In Model Tests Tags model test, lomography, LomoGraflok, Polaroid Type 59, Polaroid Type 79, instax wide, 35mm film, 8x10 Camera, 8x10 photography, Arista film, Polaroid 195, Polaroid 669, Polaroid 180, tilt-shift, expired film, large format, fine art portraits, Chamonix, 4x5 film, 4x5 camera, Polaroid 4x5, Graflex, Graflex SLR, Nikon S2, studio photography
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Matty - Nu Eyes Polaroids - 08.jpg

Matty Marz - "Nu Eyes" // 16mm + MiniDV + Polaroids + 35mm

May 30, 2021

A long overdue blog post! I recently released a new music video in collaboration with Halla Creative for the musician, Matty Marz! And in the midst of a pandemic no less.

I first met Matty when I shot some portraits for him last December, my first indoor shoot since the beginning of the pandemic but was totally worth it. My wife Halla (of Halla Creative) and I were masked up and ready to shoot when Matty came over and we just went off on that shoot. Matty told us he was planning a music video for his upcoming single “Nu Eyes” and wanted us on the project to shoot it on film! So check out the full video below for all the punk-pop vibes you’ve been needing in your life this year!

This video was directed by Matty and assistant directed by Halla Creative and was a wild one because not only was it still a pandemic, but it would be shot in an empty gymnasium out on Long Island on 3 different formats. 16mm film. MiniDV tape and a modern digital camera. So we were spanning nearly 70 years of cinema filmmaking. And to top it off, a few Polaroids, expired and new with some 35mm tossed in there. And brought on my buddy, Jason Bullok, as digital camera op to help make this video shine.

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The song was about leaving childhood baggage and having a glow-up so we figured that some school portrait-type Polaroids were in order because why not! And also shot some other 35mm stills throughout the shoot on including a few on some particularly rad rainbow film from BKIFI.

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That’s it!


Director: Matty Marz
Assistant Director: Stephanie Haller of Halla Creative
DP: Nick Collingwood
Camera Operator: Jason Bullok
PA: Kyle Foxworth
HMU: Veli

Shot on Kodak Vision3 500T 16mm film
Processing by Kodak NYC
Bolex rental and 16mm scans provided by Mono No Aware
MiniDV camera provided by my mom
Nikon FM2 with Vision3 500T from Mono No Aware and rainbow film by BKIFI Film
In Music Tags 16mm film, Kodak 16mm, Vision3 500T, CineStill, Polaroid, Polaroid 669, Polaroid 180, Polaroid SLR680, Nikon FM2, Long Island, Brooklyn, music, music video, Musician, Matty Marz, Halla Creative, Stephanie Haller, Bolex H16 REX5, Bolex H16, Bolex, 16mm 2K scans, Pandemic, COVID 19, BKIFI film, 35mm, 35mm compact, 35mm film, MiniDV, Sony A7s, Art Direction, Confetti, Glow up, Pride month, Pride, Gay musicians
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